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eo Art Collectton 
— 


‘ of the late 


Jordan Hackson Rollins, Esq. 


of JXew Bork 


and 


Old and Modern Paintings 


e 


Che Anderson Gallertes 
Madison Avenue at fortieth Street 
Pew Pork 


me 


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oe Cee 


i binain Rollins, Esq. 


SOLD AT UNRESERVED PUBLIC SALE BY ORDER 
vas THE EXECUTORS 


“PHILIP ASHTON ROLLINS 


AND A COLLECTION OF 


— Ol and $odern paintings 


CONSIGNED BY SEVERAL OWNERS 
ALSO 


A REMARKABLE COLLECTION OF 


Chinese Silk and Wool tugs 


BROUGHT FROM PEKIN BY MR. A. W. BASH 


TO BE SOLD ON 


- WEDNESDAY EVENING AND 
IRSDAY AFTERNOON AND EVENING 
MAY 15 AND 16, 1912 

at 2:30 anv 8:15 o’cLock 


On Pustic Exuipirion rrom Tnurspay, May 9 


The Anderson Galleries 


Mapison Avenue av FortieTu STREET 


New York 


good faith of all bin iee and his decision shall be final. He also — 
the right to reject any fractional or nominal bid which in his judg 
may delay or injuriously affect the sale. 

3. Buyers to give their names and addresses and to make such cash 
payments on account as may be required, in default of which the lots pure 
chased to be immediately resold. 

4. The lots to be taken away at the buyer’s expense arid risk withing 
twenty-four hours from the conclusion of the sale, and the remainder of 
the purchase money to be absolutely paid on or before delivery, in default 
of which the Anderson Auction Company will not be responsible if the ’ 
lot or lots be lost, stolen, damaged, or destroyed, but they will be left at 
the sole risk of the purchaser, and subject to storage charges. 

5. To prevent inaccuracy in delivery, and inconvenience in the settle: 
ment of purchases, no lot will be delivered during the sale. 

6. All lots will be exposed for public exhibition in our Galleries 
before the date of sale, for examination by intending purchasers, and the 
Anderson Auction Company will not be responsible for the correctness of” 
the description, authenticity, genuineness, or for any defect or fault in or 
concerning any lot, and make no warranty whatever, but will sell each lot 
exactly as it is, without recourse,. But upon receiving before the — 
date of sale expert opinion in writing that any lot is not as represented, 
the Anderson Auction Company will use every effort to furnish proof to 
the contrary, and in default of such proof the lot will be sold subject to 
the declaration of the aforesaid expert, he being liable to the owner or 
owners thereof for damage or injury occasioned by such declaration. 

7. Terms Cash. Upon failure to comply with the above conditions 
any sum deposited as part payment shall be forfeited, and all such lotsas — 
remain uncleared after twenty-four hours from the conclusion of the sale, 
will be re-sold by either private or public sale at such time as the Ander- 
son Auction Company shall determine, without further notice, and if any 
deficiency arises from such re-sale it shall be made good by the defaulter 
at this sale together with all the expenses incurred thereby. 'This con- 
dition shall be without prejudice to the right of the Anderson Auction 
Company to enforce the contract with the buyer, without such re-sale. 

8. The Anderson Auction Company will afford every facility for the 
employment of carriers and packers by the purchasers, but will not be 
responsible for any damage arising from the acts of such carriers and 
packers. 

THE ANDERSON AUCTION COMPANY, 


Mapison AVENUE AT FortierH STREET, 
NEw York. 


Priced Copy of this Catalogue may be secured for $1.50. 


. 831, 340, 847, 
358, 861, 366 


. 3851 


v : 344, 350. 45%, oe 360, 364, 
369, 874, 877, 379, 381 


ue Vos, Riparie). uk. .s.:.: 376 


6 
$ 
j ACs tees. e eee ss 307 
SBS Aen 349 
eorseecoonm Bo. ....... 312 


Mignard, School of........... 
INURARCOW Sie Bunce gx teen feiss 371 


Roos, Philip (called Rosa da 


BDA VOLD) eeeetcteerceansn ae aia ns 356 
Rosenberg, HoM 0. ct. 5% 329 
Russell, John (attributed)... 309 
Stanfield, W. Clarkson....... 367 
Steelink,-Wilm Ji. coos es. aa 348 

me LeMierswsChoololee.... 2. cate. 384 
Trevisani, Francesco Cavaliere 339 
Unknown Painter....... 308, 320, 

335, 348 
Wane Goy Ome salsa dates oeheee Bayo) 
Van Leemputten, C.......... 317 
Van Mastenbroeck, J. H...... 842 
Van Mierevelt, Michel J. (after) 368 
GEO! Sauls 25 = acre tater 333 
Von der Beek, Theodore...... 334 
Von Wile ohritz.s. tc 3s 380 
WardlétAstnubetasnat owen <x 313 
Wey] Maeerarewse so ncae 825, 355 
Wickenden, Robert J........ 316 
Wiggins, Carleton........... 336 
IW ollbers plleaGe acter. dot tne os 346 


by order of James, Schell & Elkus, 170 Bromeaye 


orneys for trustee in bankruptcy of Lathrop, Haskins 


~S 


The old Paintings from the Collection of Dr. Conrad 


Gora, of Baltimore, havé been submitted by him to various 


i 


‘experts and their attribution confirmed. 


Wed ns: Evening, May 15, at 8:15 o’clock. 


and ‘Modern Etchings, €ngrabings, Color 
pt ints, Water-Color Drawings, and Prints 
BY 


4 oo W VHISTLER, HADEN, HEDLEY FITTON, BUHOT, 
ape? ‘MIBLATZ, AND PENNELL 


> 


= 
a AUDRAN (JEAN) 


RTRAIT OF NOEL COYPEL. Engraved in 1708, 
after Coypel. Brilliant impression, Black and Gold 
)> frame, 


-BACHER (OTTO H.) 


fe “ENTRANCE TO THE GRAND CANAL. Signed artist’s 
Seeeeeproot, Oak frame. 


THE CANAL, VENICE. Signed artist’s proof, in brown 
; ie ee ink. An unusually fine impression. Gold frame. 


i 2 VENICE—SHIPPING AND THE DUCAL PALACE. 
Proof on Japan paper. Oak frame. 


a TWO SHIPS. Fine impression in rich brown ink. Oak 
frame. 


a VENETIAN SCENE. ie proof etching. Folio, oak 
frame. 


8 MOTHER AND CHILDREN WITH Sara After 


9 ELOISA WEEPING ON THE TOMB OF ABEL. 2D. 
Engraved in stipple by Challiou in the manner of : 
Bartolozzi, but after his own design. Brilliant im- 


10 


1h 


12 


13 


14 


Gold frame. 


Cipriani. Printed in red. Gold frame. 


cd 


pression printed i in red. Gold frame. 


BEHAM (HANS SEBALD) 


MELANCHOLIA. Bartsch No. 144. Engraved in 1539, a 


Fine impression in excellent condition. ee 


THE CRUCIFIXION, by Beham, and PORTRAIT aes 
PHILIP MELANCHTON, by Louis Cranach, and } 


Four ErcuHines, various, by Dietricy. (6 pieces.) 


BELLOWS (A. F.—New England Artist) 


THE VILLAGE ELMS. The:Common, Yale College at 
New Haven. Engraved by J. Duthrie. 


BLOOTELING (ABRAHAM) _ 


JEROME VAN BEVERNINCK. After B. Vaillant. 


Engraved in 1679. Superb impression of this mas- 


terly portrait. 


BORGLUM (GUTZON) 


OLD MAN’S HEAD. Drawing in black-and-white on 
brown paper. With signed presentation inscription. 
Small folio. Oak frame. 


8 


pple Pee ings are part of the series issued in 
are, in- their way, the most interesting of Shake- 


| NG HENRY THE SIXTH (Act II, Scene 3), The 
a ~ Countess of Auvergne’s Castle. Oak frame. 


16 TEMPEST (Act I, Seene 2), The Enchanted Island: 
i .. before the Cell of Prospero. Oak frame. 

We ‘MEASURE FOR MEASURE (Act V, Scene 1). Duke 
a . _in a Friar’s habit, Varrius, Lords, ete. Oak frame. 


18 KING LEAR (Act III, Scene 4). King Lear in a Storm. 

Oak frame. 

im ROMEO AND JULIET (Act I, Scene 5). Oak frame. 
20 HAMLET (Act I, Scene 4). The Platform before the 

eZ Palace of Elsineur. Oak frame. 


ior: MUCH ADO ABOUT NOTHING (Act III, Scene 1). 
‘a Hero, Ursula ant Beatrice listening. Oak frame. 


22 SHAKESPEARE. Nursed by Tragedy and Comedy. 
Oak frame. 


BRACQUEMOND (FELIX) 


SEA GULLS. Signed proof etching. One of the artist’s 
most famous plates. Folio, gilt frame. 


BRITON-RIVIERE 


ij 24 LIONS AMONG THE RUINS, engraved by F. Stac- 
ie poole. Large folio. Fine proof, signed by painter 
ee and engraver, Gilt frame. 
4 


BUHOT (FELIX) 


_ 25 WESTMINSTER BRIDGE. Unusually fine impression 
ee of this masterpiece. Printed in two tones of ink. In 
7 ‘*Whistler’s Gold’’ frame. 

26 COUNTRY NEIGHBORS. Signed remarque proof with 
: the artist’s red stamp. Small 4to, gilt frame. 


A. F. BUNNER 
i: 27 DUTCH WINDMILL NEAR KISSENDAM, HOL- 
LAND. Water-Color. Signed. 11x 9 inches. Un- 


framed. 
9 


29 


30 


31 


32 


33 


34 


30 


sion with margins, Two panies ole 1s to 
Otherwise in excellent condition. ; 


CARBON PRINTS 


Chaigneau; The Seine, Paris, by Moonlight. ‘ 
(2 pieces.) 


THE TAILOR, by Moroni; Head of a Nunes Indi Y 
Scout (de The Folio. 3 pieces, framed, se 
CARPENTER (L.) 


GUAYAQUIL FROM THE SEA. And another South - 
American Scene. Water-Color Drawings. Signed. 2 
Small 4to, gilt frames. (2 pieces.) ka. 


CIVIL WAR 


BROADSIDE printed in red ink, in Canandaigua, N. en ik 
April 10, 1865, in celebration of the close of the Civil i 
War. Royal 8vo. Framed. Scarce. 


ENGRAVINGS PRINTED IN COLOR 


SMYTHE (RICHARD) 


KITTY FISHER (THE GIRL WITH THE DOVES). 
After Reynolds. Beautiful print in colors with full 
margins. Carved gilded wood frame. 


STEVENSON (F. G.) 


SASKIA. After Rembrandt. Signed artist’s proof. 
Beautiful impression. Antique gold frame. 


. 


SENSENEY (GEORGE) 


THE SILENCE OF NIGHT. Original etching printed 
in colors. Signed artist’s proof on Japan paper. 
Proof No. 15. Wood and Gilt frame. 


10 


a on he paper. Proof No. 9. 


R RISE. Hioican etching printed in colors. Signed 
artist’ s proof on Japan paper. Proof No. 44. Gray 
Oak frame. 


38 ‘sT¢ ORM PAST. Original etching printed in colors. 
Signed artist’s proof on Japan paper. Proof No. 23. 
Antique gold frame. 


39 ‘EVENING IN NORMANDY. Original etching printed 
: mi in colors. Signed artist’s proof on Japan paper. 
‘Proof No, 24. Antique Gold frame. 


WEBB (JOHN C.) 


Pest 

40 PORTRAIT OF MRS. ANGELO TAYLOR, AS 

MIRANDA. Mezzotint printed in colors. Orna- 
mental Carved Gold frame. 


GAINSBOROUGH . (THOMAS) 


‘y a GEORGINA, DUCHESS OF DEVONSHIRE. En- 
i graved in stipple by J. Jackson, and colored by hand. 
Bef Mounted in a frame with an Autograph Letter 
Signed from the Duchess of Devonshire in French. 
Folio, gilt frame. 


COUSINS (SAMUEL) 


42 WILLIAM SHAKESPEARE. Proof on India paper, 
from the Chandos portrait. 


DAUTREY (LUCIEN) 


| 
438 LA GLANEUSE. After the painting by Jules Breton 
| in the Luxembourg Gallery. Remarque proof on 
Japan paper signed by painter and etcher. Very 
' rare in this state. 
: 11 
| 
| 


DECORATIVE PANELS rs 


44 DUTCH CHILDREN. Colored prints. _ Lom: 
folio. Framed. (2 pieces.) . 


45 FRANCOIS DE BOURBON, PRINCE DE CONT 
Robert Dumesnil No. 348. Only state. oe 
Hoe collection. With margins. 


DESNOYERS (AUGUST BOUCHER) 


46 MADONNA DI SAN SISTO. Proof before letters, with q 
presentation inscription from M. Desnoyers to M. i 
Vallot. (Foxed.) S 


EDELINCK (GERARD) 


47 THE VIRGIN SEWING. Clearly printed impression, — 
with margins. There is a small discolored spot near 
the Virgin’s right hand. Together with ‘‘THE 
RETURN FROM MARKET,”’ engraved by Sir 
Robert Strange in 1750, after the painting by 
Wouvermans, and ‘‘THE FINDING OF MOSES” — 
engraved by Baron after the painting by Le Suerer. — 
(3 pieces. ) a 


FAGAN (JAMES) 


48 GENERAL U. 8. GRANT. Remarque pro on vellum, 
signed by the etcher. 


FICQUET (ESTIENNE) 


49 MADAME DE MAINTENON. Engraved in 1759, from 
the painting by Mignard. An unusually fine impres- 
sion of this little masterpiece on old paper with full 
margins. Together with PORTRAIT OF DAVID 
HOLT, mezzotint by S. W. Reynolds, after Duval. 
(2 pieces. ) 

12 


be sie r 
a: 2a oles ‘eG « 
ON (HEDLEY) 


ASTLE, Signed artist’s proof etch- 


om ed foe 
( NB IDGE. Picking. Signed artist’s proof, 


G ilt frame. 


ST. BI hENNE LIMOGES. Signed artist’s Pyo0e Gold . 
ss Ns Se 


IBNNE BEAUVAIS, Signed artist’s proof. 


oie 


” 


ing, signed artist’s Bor from the collection of 
a _ Philip Burty, together with EIGHTEEN ETCHINGS by 
oe _ Jules Jacquemart of various subjects. 


a DUTCH FISHING BOATS, original etching, by Av- 
-_ gustus Koopman, signed artist’s proof, and sIx 
OTHER PIECES, by various artists. (26 pieces.) 


FORTUNY 
2 ae THE DEAD KABYLE. Fine impression with large 
a a a i margins. 
- ‘ TWO ARABS. Proof on India paper, and 
a _ HE DEATH MASK. (3 pieces.) 


So 
adi 


FULLWOOD (JOHN) 


ass LANDSCAPE WITH RIVER. Etching. Siagnep PrRoor. 
i eee Gilt irame. 


ig -GEROME (J. L.) 


87 CONFIDENCES. Defaced copper-plate of the photo. 
gravure made by Goupil from the Panne. Ato, 
elaborate bronze frame. 


og 13 


-GOLTZIUS (HEINRICH) 


58 JAN BOLL. Bartsch No, 161. Dated 1593, ‘Superb 
impression in perfect condition, Pea 


59 NICQUET. Bartsch No. 177. Fine impre 


slightly stained at the bottom. a a pee 


60 JOHANNES ZURENUS. Bartsch No, 189. re exceed . 
ingly fine i impression of this beautiful little port i 


GRAVESANDE (CHARLES STORM VAN’S) 


61 VILLAGE OF ZANDVOORT. Fine impression on | 
Dutch paper. Gold frame. . aM ay q 


62 ON THE MAAS. Proof on Japan paper of this little 
masterpiece. Gold frame. 


63 ON THE VECHT. Signed artist’s proof on “Holland | q 
paper. Brown wood frame. q 


64 ZEEBURG. Signed artist’s proof. One of the artist’s 2 innate | 
charming small plates, together with THE SHEEP- — 


FOLD by Braequemond, after Brendel, proof from — | 
the collection of Philippe Burty, and NEAR STONE- | 


LEIGH, WARWICKSHIRE, etched by J. G. Strutt, 7 
SCENE BY MARLBOROUGH FOREST, etched by | 
Strutt, GROUP OF ABELES, BANKS OF THE 

THAMES, by Strutt. (5 pieces.) a | 


ORIGINAL DRAWING BY GRAVESANDE | 
65 ON THE VECHT. This superb chareoal drawing, evi- | 


dently a study for the dry-point, is signed in full in 
the lower left corner. It is rarely that original draw- — 
ings by this eminent artist come into the market... 


Oak frame. 


GREATBACH (WILLIAM) 


66 THE READER. Line engraving, after painting by 
Gerard Dow. Proof before all letters on India paper. 
Rosewood and Gilt frame. 


14 


H [AD EN (SIR F, SEYMOUR) 


67 MYTTO! N “HALL, Heid): A hospitable open doorway 
seen at the end of a shady avenue of old yew trees. 
Stenep Proor on JAPAN Paper. Framed. 
_ *Plate destroyed. Mytton Hall was an old Henry VII. 
~ house in Lancashire, Wedmore says the print is characterized 
A, the breadth of treatment so much a part of Haden’s work. 
68 ‘KE eRe GARDENS. (The larger plate.) H. 28. 
_ An old tree divides into two main branches, with the 
light concentrated on the upper branches and the 
_ distance closed in by numerous trees. Framed. 


yon Plate destroyed. Considered one of the best etchings of 
_ free branch and stem drawing. 


ay WATER MEADOW. H. 21. A meadow fringed with 
% trees, to the right open water and reeds, and an old 
wooden sluice overgrown with rushes. 


ae * Seymour Haden said of this etching: ‘‘I like this plate— 
which is saying a La deal.’’ : 


7 EGHAM LOCK. H. 15. Early proof of second state. 
he signature is removed but the sky is not yet made 
perfectly white. Signed artist’s proof. 


aa A WATER MEADOW. H. 21. First state, on ribbed 
paper. Gold frame. 


72 TWICKENHAM CHURCH. H. 107. First state. Proof 
hie on Japan paper. Gold frame 


HANDS ETCHING. H. 94. Second state. The subject 
of the plate now shaded. — 


HAIG (AXEL HERMAN) 


ie 74 GOSLAR. Signed artist’s proof. Title is written by the 

ie) artist in pencil in the lower left corner. Wood and 
= Gold frame. 

| 75 BURGOS CATHEDRAL, THE EXTERIOR. Signed 

i artist’s proof. Wood and Gold frame. 


HELLEU (PAUL) 


76 CRAYON DRAWING. Figure of a woman three-quarter 
length, seen from the back. Folio. Signed. 


77 MEDITATION. Original dry-point. Signed artist’s 
proof. Imitation mahogany frame. 
15 


78 


Noe 


80 


81 


82 


83 


84 


85 


86 


es 
Say 
lai. 


HERKOMER (HUBERT) 
ALFRED LORD TENNYSON, 


HOPFER a o 


ler, and THE BETROTHAL, engraved by ai é 
(5 pieces. ) wa. 


HOLLAR (WENCELAS) 


A VIEW OF MASBACH., Characteristic and beaut 
little plate. “ 


JACQUE (CHARLES) 


THE COW TENDER. Original dry-point. Proof on © 
Japan paper. Oak frame. : | 


THE FARM WITH A BIG TREE. Proof on Hallaeda 
paper. Black and Gilt frame. 


A CORNER OF THE FARM YARD. One of the | 
Jacque’s prettiest plates. Black frame. Fi 


a 


Pra 


Ve i 


JAZINSKI (FELIX) (eae 


SPRING. After the painting by Boticelli, Remarque | 
proof on vellum, signed by the etcher. ; a || 


JEAURAT (E.) me. | 


NICOLAS VLEUGHELS. After Antoine Pesne. En- ~ 
eraved in 1725, Fine impression and in perfeet con- 
dition. ; 


JOHNSON (T.) 


ABRAHAM LINCOLN. Remarque proof on vellum, | 
signed by the etcher. | 
16 


ie si fea artist’s proof on India paper. 
ig poe in perfect condition. 


a 


LECTION OF LAFAYETTE PORTRAITS 


AYETTE (MARQUIS DE). Mezzotint portrait en- 
raved by Haid; oe by Duplessis- era es 


> old engraving ; ; eiansved portrait by Endner. (5) 

ci _ * This and the following lots of portraits of the Marquis de 
; Lafayette form a very remarkable and complete collection, in- 
eluding many in proof and first state. 


a, LAFAYETTE, Stipple engraving by T. Clarke of Phila- 
oe __ delphia; aquatint printed in brown; unsigned; stipple 
= = pel engraving by Kobell in both first and second states; 
ind engraver’s proof (probably American) of a line por- 


* " 


: Aiea “trait; ete, (8) 

i A 

! 90° ee cert Portraits engraved by Freeman, Fores- 
i a tier, Varin, Endner, Lefebure, etc. (40) 


{ 
1 LAFAYETTE. Portraits engraved by Duchemin, Ruck, 
l 1 Massard, Fiesinger, Verité, ete. (40) 


i“ 92 LAFAYETTE. Portraits engraved by Massard, Boudron, 
z vie: es Girardet, Annin & Smith, ete. (40) 


LITHOGRAPHS 


az -BONHEUR (ROSA) 

: 93 BERGERIE. Original lithograph on India paper. Full 
ia margins. 

a 7 

i BONINGTON (R. P.) 


94 EGLISE ST. SAUVEUR, CAEN. On India paper. One 
of the artist’s most esteemed lithographs, 


CALAME (A.) 


95 THE UAKE: SUNSET Original lithograph on India 
ie BRC, ete. Black frame. (7 pieces.) 


- 17 


LION DEVOURING A HORSE, and 
PIECES by various artists (Jacque, ‘Haz 
Jones, Wickenden, etc.). Ci pieces.) 


he 


HUET (PAUL) 


97 VUE DE CHATEAU GAILLARD and THREE “OTHER 
PIECES. (4 pieces.) 


RAFFET (AUGUSTE) 


98 CATALANS. On India paper. Proof from the collec- —| 
tion of P. Demidoff. Fivr PrEcEs, various, togeth T 
with EicHT LirHograPHs by Horace Vernet, and Owe 
by Charlet. (14 pieces.) 


FOUR LITHOGRAPHS IN COLOR 


99 DOGS, by Walther Klemm. BIRCHES, by Carl Thie- — 
mann, THE COUNTRY ROAD, by Alois Hanisch. — 
THE PALACE ON THE ROCK, by the same. Ings 
the original wrapper. (4 pieces.) im 


LALANNE (MAXIME) es E | 


100 THE SEINE NEAR ARGENTEUIL. Black and Gold 
frame. 


101 FRIBOURG, SWITZERLAND. The plate reduced in 
size. One of the artist’s most exquisite plates. To- 
gether with ST. SEBASTIEN, engraved by Gaillard 
from his painting in the Luxembourg, and LH |. 
MEUNIER SON FILS ET L’ ANE, soft ground etch- 
ing after Decamps. On India paper. (3 pieces.) 


LE MIRE (NOEL) 


102 GENERAL WASHINGTON. After the painting by 
L. le Paon. Engraved from a fictitious picture, the 
head alone after Peale. On a stretcher. 


18 


el BOYD. After the painting by 
. Fine original i impression. Black and Gold 


MELLAN (CLAUDE) 


MARY, ST. JOSEPH, ST. JAMES and ST. 
a. Fine impression, slightly foxed with 


‘ MERYON (CHARLES) 
i LA MORGUE: Delteil No. 36. 6th of 7 states. 


¥ * Very clearly printed impression with Meryon’s monogram 
in the upper left corner. 


MEISSONIER (J. L. E.) 


India paper with full margins. Fine impression in 
perfect condition of one of Meissonier’s finest plates. 


MILLET (J. F.) 


4 106 WOMAN HANGIN G OUT CLOTHES. Lebrun No. 2. 
= Upon the same plate with A PEASANT RESTING 
if a Lebrun No. 3, and A PEASANT SEATED, Lebrun 
: No. z 

He . *<<Ten impressions taken on old vergé paper.’’—Alfred 
| a Lebrun. 


MUELLER (JOHANN FRIEDRICH WILHELM) 


_ 107 MADONNA DI SAN SISTO. After the painting by 
# : Raphael, in the Dresden Gallery. 


MORAN (THOMAS) 


a 108 HARBOR OF VERA CRUZ. Remarque proof on vel- 
hy lum, signed by the etcher. 
19 


MORGHEN (RAPHAEL) ~ 


109 THE TRANSFIGURATION. After the nies, by os 
Raphael in the Vatican. Open letter proof. tu per-. @ 


fect condition with full margins. 


110 THE MADONNA OF THE CHAIR. Fine original —|} 
impression. Black and Gold frame, I 


NANTEUIL (ROBERT) 


111 JEAN LORET. Robert. Dumesnil No. 150. Third 
state, with the comma after the word ‘‘Loret’’ in the 
first line of the verse beneath. Excellent and clearly 
printed impression of this masterpiece of portrait 
engraving, One of Nanteuil’s finest plates. 


112 PIERRE DE CAMBOUT, CARDINAL DE COISLIN, 
BISHOP OF ORLEANS. Robert Dumesnil Appen- 
dix No. 3. The only state. Has been Ba in the 
extreme lower left corner. 


113 FREDERIC-MAURICE DE LA TOUR D’AU-- 
VERGNE, DUC DE BOUILLON. Robert Dumesnil 
No. 49. The elder brother of the great Turenne. Fine 
impression of this superb portrait, one of the most 
esteemed of Nanteuil’s plates. Full margins, shghtly 
foxed, but otherwise in perfect condition. Rare of 
such quality. 


NAPOLEON I. 


114 ETCHED PORTRAIT, by Gianol after Delaroche. 
Remarque proof printed on satin, the remarques rep- 
resenting scenes in Napoleon’s life. Folio, orna- 
mental frame. 


NEW YORK CITY 


115 LANDING OF GEN, LAFAYETTE at Castle Garden, 
New York, 16th August, 1824. Engraved by 8. 
Maverick, after Imbert. 12mo. Inlaid to 4to size. 

* A Rare New York view, showing the old battery connected 
with the mainland by a bridge, the steamer ‘‘Livingston,’” 
the old buildings on the Green, the tower, ete. 


20 


C.F. W. MIELATZ 
Contemporary American Etcher. © 
NEW YORK VIEWS: ETCHINGS PRINTED IN COLOR 


- ae  by*the Artist. S1GNED Proors issued in very 
aba limited editions. 


1 L154 BOWLING GREEN. Old buildings, Nos. 1 to 11 
Broadway, and a corner of the park. Proof number 
ee. MON, 


115s NUMBER SEVEN STATE STREET. Proof number 
22. 1908. 


BALCONY IN PELL STREET. Chinese quarter. 
Proof number 23. 1908. 


THE DOOR. ST. BARTHOLOMEW’S. Madison 
Avenue and 44th Street, showing bronze sculpture by 
Saint Gaudens. Proof number 23, 1909. 


| 115 COENTIES SLIP, showing wharf and _ shipping. 
i” Proof number |23. 1909. 


115F ST. JOHN’S CHURCH; VARICK SQUARE. Proof 
- mumper co... L909. - 


© 115¢ ERICSSON’S HOUSE; BEACH STREET. Proof 
e number 27. 1908. 


- 15x WASHINGTON SQUARE. Proof number 26. 1908. 


-1151- GOVERNOR CLINTON’S HOUSE, foot of East 64th 
Street. Proof number 23. 1908. 


1153 TYSON’S BUTCHER SHOP, and the old. Willow 
Tavern. Proof number 4. 1910. 


Neel 
~y 


NORDHEIM (JOHANN GEORG) 


116 MADONNA DI SAN SISTO. Open letter proof on 
India paper. 


PASTEL 


117 PASTEL PORTRAIT OF THE HON. MISS BING 
HAM. Unsigned, but probably a contemporary por- 
trait. A most interesting and beautiful example of 
portrait work in this medium. Black and Gilt frame 
(frame somewhat damaged). 

21 


120 


121 
122 


123 


124 


125 


126 


127 


128 


¥ 
Meri NOSIS Seat artist’s — eS 
paper. (An early impression before the p. 
cut at both sides.) Black frame. oe 


THE TOWER OF IRON. Original pen evs pa draw- 
ing, One of the series of illustrations for the Alham- J 
bra. Black frame. i 


ZAANDAM NO. 3. Original lithoeeeene 


THE GREAT GATE, LINCOLN’S INN. Signed proot 
etching. Plate destroyed, Oak frame. ; a 


PETERSON (H. L.) 


MADONNA OF THE CHAIR. After Raphael. Re- — 
marque proof before all letters. 


PHOTOGRAPHS 


A MOUNTAIN PASS; Path through Deep Woods; 
Whitby Harbor by Moonlight; Giant Iceberg at Sea. . 
Folio. Framed. (4 pieces.) 


FIRST LAW SCHOOL IN.\AMERICA. Litchfield, 4 
Conn., founded by Judge Tappan Reeve in 1784. 
Photograph taken in 1900. MORLAND’S ASS, ~— 
print in colors, by Jenkins after Morland. Small 4to, 
framed. (2 pieces.) oe | 


BENGAL TIGER RESTING.  Life-size “photograph 
(by Bolton). Large folio, oak frame. 


THE SWITCHBACK on Pistishi; Ideal Head of a Girl; 
Moonlight on the Beach (in colors) ; Statue of Grant; 
Pharaoh; Madonna and Child (Del Sarto) ; 2 Photo- 
graphs of Yachts; Meadow Landscape; Gerome’s 
Lion by the Sea; with a lithograph of Washington’s 
Carriage, and a facsimile of an old English stipple en- 
graving in a brocade frame. Small folio and smaller. 
(12 pieces. ) 

CUPID AND PSYCHE. After Bates. Three panels 
in one frame. Hollyer platinotype photograph. Gray 
Architectural frame. 

22 


—Bs has PORTRAITS: 


ty IBERG, of Mentz. Engraved by R. Gay- 

— From the Holden collection. Together with 
‘PORTRAIT OF SAMUEL P. AVERY, etched by 
Leopold Flameng, and EIGHTEEN OTHER PORTRAITS, 
various. (20 pigecs: 


| RISSE (L.) 
CI ES. Signed artist’s proof. 
ae A A LONELY ROAD—SUNSET. Printed in color, and 
ve FOUR OTHER PIECES, various. All signed artist’ s 
op re 2 a 3 on one sheet. (5 pieces.) 


ROUSSEAU (THEODORE—Attributed) 


5 32 THE PARK nee Pencil drawing signed TH. R. A 
“tg = fine example. 


_ 


SLOCOMBE (EDWARD) 


133 CATHEDRAL AT RHEIMS. Remarque proof on 
Japan paper, signed by the etcher. 


PIRANESI (GIOVANNI BATTISTA) 


ARCH OF TITUS. Fine original impression before the 
number. Black frame. 


a SCHMIDT (GEORG FRIEDRICH) 
1 


135 THE PRESENTATION OF THE VIRGIN IN THE 
[> * TEMPLE. lIine-engraving after the painting by 
Pietro Testa, together with L’AIR, line-engraving by 
5 Dupris (1718) after the painting by Louis de Boul- 
4 longle, and UN BON PRINCE EST LE SALUT DU 
i; ; PEUPLE, line-engraving by Dupris after the paint- 
ing by Coypel. (3 pieces. ) 


— SPORTING PRINT 


136 THE EXETER ROAD: THE WHITE HART AT 
HOOK. Color print by C. Laidin. Folio, framed. 


23 


137 


138 


139 


140 


141 


142 


143 


144 


STRANG (WILLIAM) 


THE PRODIGAL SON. Original etching, together — 
with STILL LIFE, etched by Jacquemart, after — 
Cuyp, and A JAPANESE PLATE, etched by Jacque- 
mart, from the Lalanne collection, and the INTE- 
RIOR OF THE STUDIO, original etalon by Sir 
George Reed. (4 pieces.) 


TISSOT (JAMES J.) 


MAVOURNEEN. Signed artist’s proof, also bearing 
red stamp of the artist. ‘‘Morceau Sa do 
l’ceuvre.’’—Beraldi. Gold. frame. 


OCTOBER. Signed artist’s proof, also bearing red 
stamp of the artist. This magnificent plate disputes 
with ‘‘Mavourneen’’ the honor of being Tissot’s 
finest work. 


TURNER (J. M. W.) 


AESACUS AND HESPERIE. Drawn, etched and 
mezzotinted by J. M. W. Turner. From the Turner 
collection. Gold frame. 


VAN DYCK (ANTHONY) 


GUILLAME DE VOS. Wiberal No. 15. The head 
etched by Van Dyck himself, and the plate finished 
by Bolswert. Fine impression. Antique gold frame. 


VAN MUYDEN (EVERT) 


LION ON A ROCK. Signed artist’s proof. One of Van 
Muyden’s best wild animal plates. Gold frame. 


WARD (WILLIAM) 


THE FRUITS OF INDUSTRY AND CGCONOMY. 
After the painting by George Morland, This fine 
mezzotint, published in 1794, is a companion of the 
following: 


THE EFFECTS OF EXTRAVAGANCE AND IDLE- 
NESS. After the painting by George Morland. 
(2 lots.) 


24 


_ WATSON (CHARLES J.) 


aw) 


CH 
> CH EYNE WALK, CHELSEA, 1889. Signed artist’s 


vi proof, This plate i is rare. 


ie YORK MINSTER, Signed artist’s proof. One of 
é Pee s most characteristic and beautiful plates. 


WEBSTER (HERMAN A.) 


“a ay STREBT IN A FRENCH CITY. Signed proof etching, 
a Black frame. 


WHISTLER (JAMES A. McNEILL) 


/ 148 MILLBANK. Wedmore No. 67. The Thames at Mill- 
‘ey bank at Low tide. One of the “‘Sixteen Etchings.’’ 
! Fine impression, Gold frame. 


im 149 FULHAM. Wedmore No. 148. With the butterfly low 
a to the right. Fine original impression, Guilt frame. 


| 150 BECQURT. Wedmore No. 48. Warmly and not too 
heavily printed. Gilt frame. 


| 151 STREET AT SAVERNE. Wedmore No. 11. Fine 
- impression on Japanese paper. Gold frame. 


152 BIBI VALENTIN. Wedmore No. 28. Unusually fine 
impression on thin Japan paper. Gold frame. 


153 THAMES POLICE. Wedmore No. 42. Brilliant im- 
pression on toned Japan paper. One of the Thames 
set. Gold frame. 


154 THE FORGE. Wedmore No. 63. Proof on Japan 
paper. One of the Thames set. Gold frame. 


155 TINY POOL. Wedmore No. 73. Proof on ribbed paper. 
Gold frame. 


156 OLD HUNGERFORD BRIDGE. Wedmore No. 80. 
Fine and clearly printed impression. One of the 
Thames set. Gold frame. 


157 FLORENCE LEYLAND. Wedmore No. 96. Proof on 
ribbed paper. Gold frame. 
25 


aie ad 


ADAM AND EVE TAVERN, OLD 


more No. 144. Brilliant impre 
paper. Gold frame. | ne 


159 LOBSTER POTS. Wedmore No, 174. 
proof before the margins were trim 
cepting the small tag which was to be 
signature. One of the twenty-six etchings 

thirty sets only were issued. Gold frame. 


(160 THE LONG GALLERY, LOUVRE. Way No. 52, 


161 THE SMITH’S YARD. “Way No. 88. Clearly printed 
impression. 


WOOLLETT (WILLIAM) Ea 


162 THE BATTLE OF LA HOGUEH, After bag paint 
by Benjamin West. 


WOOD ENGRAVINGS 


KINGSLEY (ELBRIDGE) is 

One of the most eminent of the American School of wood ee a | 
163 NEW ENGLAND ELMS. First state, on rice paper. 4 
Rare. ce | 


164 LANDSCAPE WITH A HAYSTACK: _MOONRISE. ora : 
After the painting by D. W. Tryon. Proof on rice 3 


paper. 


165 APPLE BLOSSOMS. After the painting by D. Wass 
Tryon. Proof on rice paper. 


26 


L171 


SECOND SESSION 


Thursday Afternoon, May 16, at 2:30 o’clock 


ated 


66 OVAL SHAVING MIRROR. Adjustable wall bracket. 


SMALL BRONZE LAMP WITH FAVRILE GLASS 
SHADE. Fitted for electricity. 
FOLDING CARD TABLE OF OAK. 


PAIR OF BRONZE BOOK RACKS. Pierced in an 
arabesque design. 


SET OF FOLDING STEPS, ae four carpeted 


treads. Height, 42 inches. 

BRASS GOOSENECK READING LIGHT WITH 
REFLECTOR, fitted for electricity. 

BRONZE READING LAMP WITH FLUTED GREEN 
GLASS SHADE, fitted for electricity. 


BRONZE JEWEL BOX. Gothic relief decoration; 


fitted with key. 

MINIATURE CARVED WOOD TOTEM POLE. 

INDIAN BASKET WORK, consisting of three baskets 
in graduated sizes, and three small round covered 
baskets. (9 pieces.) 

BRASS BOWL of Hast Indian workmanship; incised 
decoration. 

SOAPSTONE OIG VESSEL WITH SERPENT 
HANDLE (repaired). 

TORTOISE-SHELL PAPER CUTTER, with sterling 
silver handle in repoussé decoration. 

BRASS PHOTOGRAPH FRAME, with picture on 
ivory, signed Sabatier. 


DECORATED BURNT WOOD OVAL TRAY AND 
PAPER HOLDER. 

STANDING FAHRENHEIT THERMOMETER. 

DESK SHEARS OF BRASS in a seabbard. (Tip of 
shears broken.) 

WHITE ONYX PAPER WEIGHT. 

SOUVENIR PEN TRAY OF PORCELAIN. 

MINIATURE TOTEM OF SOAPSTONE. 


27 


172 


173 


174 


175 


176 


ay 
phy - " As 


cae 


BRONZE PAPER WEIGHT—_TWO COILED 1 Te) 
ARDS. i Py As ny 


BRONZE ORNAMENT—CUPID DRIVING A TOR- 
TOISE. ay 


AUTOMATIC PENCIL SHARPENER. a i 

DESK GALENDAR OF BLACK LEATHER. 

HANDY DESK BOX OF PEWTER. 

BRASS INKSTAND AND LETTER RACK COM. | 
BINED. | 


CIRCULAR EASEL MIRROR. Bevel glass in a carved 
wood frame. (Frame chipped.) 


PEWTER BOWL WITH COVER. Decorated with 
silver inlay in a floral pattern. Diameter, 644 | 
inches. | 


BRONZE LETTER RACK. 


BEAR AND CACTUS INKSTAND OF METAL. 

BRONZE WASTE BASKET resting on three sere | 
feet. (Damaged.) | 

BRONZE PAPER CLIP—SHAPED AS A FOWL’S 4] 
HEAD. 


BRONZE ELECTRIC DESK BELL—SHAPED AS A §} 
BLACK COCK. 


BRONZE LETTER OPENER.- | 
BRONZE PAPER WEIGHT—WINGED LION OF : 
ST. MARK. 


CANDLESTICK OF BRONZE AND FAVRILE 
GLASS in a leaf and flower design. Height, 1144 — 
inches. 


MECHANICAL CIGARETTE BOX OF MAHOG- | 
ANY. 


MINIATURE ITALIAN WEDDING COFFER. 

CARVED. WOOD BOOK RACK. (One support. 
cracked. ) 

TWO AGATE SPECIMENS, ONE ENGRAVED. 


LETTER OPENER AND SHEARS, with gilt handles ; 
in a leather seabbard. 


MAGNIFYING GLASS. (Chipped.) 
LETTER SAND BOX OF BOXWOOD. 
28 


179 


| 180 


185 


bal as WOOD CARVING. An oval tray in the 


_ ASH TRAY OF COPPER AND BRASS. Ornamented 


form of an alligator; with ivory and pearl inlays. 


with a reclining female figure. 


MINIATURE CHAFING DISH OF COPPER, COM- 
PLETE WITH LAMP. 


ANTIQUE OAK TABOURETTE, CARVED IN RE- 
LIEF. 


ASH TRAY OF GLASS WITH SILVER RIM. 
BRASS PIN TRAY. 
SHELL PAPER CUTTER. 


TABLE MAT OF PERSIAN EMBROIDERY (worn). 
Size, 18 x 16 inches. 


USHABTI, or Servant of the Deceased. Small figure 
from the tomb of Sakkarah of Psametik. 520 B. C. 
Guaranteed genuine with seal by R. H. Blanchard, 
Cairo, Egypt. Length, 4 inches. 


LARGE BLUE AND WHITE VASE AND THAK- 
WOOD STAND. Hawthorne Blossoms in ascend- 
ing and descending branches on a blue ground. 
Height, 16 inches. 


BLUE AND WHITE PILGRIM BOTTLE VASH. 
Decoration of Dragons and conventional chrysanthe- 
mums on giant crackle ground. Height, 10 inches. 


BRONZE DESK SET OF SEVEN PIECES.  Consist- 
ing of a letter case, pen tray, clip, file, two covered 
boxes and blotter, in bronze with relief decoration 
of signs of the zodiac: From the Tiffany Studios. 


BRONZE FIGURE OF AN ELEPHANT. (One tusk 
broken.) Height, 414 inches. 


PORCELAIN FLOWER VASE. _ Peacock feather 
decoration. 

TWO BOOK RACKS. One of brocade, the other em- 
broidered. 

WASTE BASKET. Of velour and gilt brocade. 
(4 pieces.) 


NARROW PANEL MIRROR. In a gilt frame with 
decorative Romney print set in the top. Height, 
20 inches. 


29 


186 


187 


188 


189 


190 


191 


192 


SIX METAL ASH RECEIVERS. 
JAPANNED CRUMB TRAY. 


PAIR OF MARINE GLASSES. In a Teather ease 
LeMaire, Paris, maker. ee ae 


BRASS YACHT CLOCK. With gong that chimes the 
watches. Seth Thomas, maker. 


BRONZE PAPER HOLDER, with silver Rite in ae 
strap pattern. 


GREEN WICKER WASTE BASKET. 
THREE METAL ASH RECEIVERS. 


PAIR OF MARINE GLASSES. Ovington Bros, | 
makers. (In a worn leather case.) a 


PAIR OF THERMOS BOTTLES. In a leather case. 
CLOISONNE BOTTLE HOLDER. 


TALL METLACH STEIN WITH FIGURE DECO- | 
RATION. 


GERMAN STEIN WITH METAL COVER AND 4} 
BASE. 


TWO SINGLE PORTIERES. One blue, the other red. #| 


DOWN SOFA PILLOW. Blue velvet with medallion 7 
of Chinese embroidery. 


HOT-WATER KETTLE WITH SPIRIT LAMP. 


GREEN GLAZED TEAPOT WITH WICKER 
HANDLE. 


BRASS BOWL with relief decoration. 
THREE ALASKAN BRACELETS. 
PAIR OF FIELD GLASSES mounted in aluminum. 


SILVER CUP decorated in repoussé in a flower and 
leaf pattern. 


SILVER-PLATED COCKTAIL SHAKBR AND CUP. 
SILVER VASE with emblem in relief. 


WOOD TRAY with glass bottom covering an embroid- 
ery representing a gamecock on a holly branch. 


OBLONG SILVER-PLATED TRAY with beaded edge. 


COVERED TOBACCO JAR OF POTTERY shaped 
as a melon with figure of a negro boy seated. 


FLASK covered with Indian woven work. 
30 


: Ae es children. 
8 | PEWTER ALE MUG marked Simpson’s, Cornhill. 
ROUND SILVER-PLATED MIRROR TRAY with two 
handles. Diameter, 11 inches. 


ROOKWOOD PITCHER-JUG. Indian corn decora- 
Reo we tior. 


4 BRIDGE OUTFIT. In a red leather case with gilt 
‘- mountings. Cross, maker. 
SILVER SOAP BOX decorated in repoussé in a flower 
. ; and leaf pattern. _ 
THREE BOTTLES WITH SILVER TOPS in a travel- 
ling ease of brown leather. 
SILVER OVAL PHOTOGRAPH FRAME. 


195 COCKTAIL SET consisting of mahogany tray, glass 
lined, with horn handles; eight metal supports for 
as many glasses; silver shaker and cup. 


TWO TRAVELLING WALLETS AND A CIGAR 
CASE. ‘The cigar case and one wallet of tan leather, 
the other of black leather. 

CUT GLASS CIGAR BOX with gilt mountings and 
gilt decoration on the hinged cover. 

_ THERMOMETER IN THE FORM OF A LARGE 
BRASS KEY. 


4 
Je) 
lop) 


197 WOOD AND LEATHER JEWEL BOX silk-lined. 
| 


PAIR OF FIELD GLASSES in a travelling case of 
tan leather. Carl Hess, Jena, maker. 


HAT BRUSH in a travelling case of red morocco. 


i SILVER POCKET CARD CASH, chased in a scroll 
pattern. 


198 SILVER PEPPER GRINDER. Tiffany & Co., makers. 
SILVER PAPER FILE. 
SILVER WINE FUNNEL. 


CARVED IVORY MINIATURE ' PHOTOGRAPH 
FRAME. Oval (cracked). 
IMITATION TORTOISE-SHELL FAN in the form of 
a windwill. 
31 


199 


200 


201 


202 


203 


204 


205 


METAL LETTER OPENER. = 
MINIATURE CHINESE SILVER FIGURE with ca 


MINIATURE METAL FIGURE OF THE MADONNA ' 
AND CHILD. 


IVORY CRIBBAGE MARKER in the form of a seat 

SILVER-PLATED DRINKING CUP (slightly bat-— 
tered). 

SMALL STEEL DAGGER WITH BRASS HILT AND 
SHEATH. 

BRASS BOX WITH HINGED COVER. 

LEATHER MUG WITH HANDLE. 


CUT GLASS POCKET FLASK with silver cup cover ; 
in a tan leather case. 


SILVER TWINE BALL HOLDER. Black, Starr & 
Frost, makers. 
SILVER PHOTOGRAPH FRAME. Oval; ceed : 
(No glass. ) 


SILVER POCKET FLASK chased in a shell and leaf 
pattern. 


SIX APOSTLE SPOONS. 
ONE PICKLE FORK. 


SILVER PHOTOGRAPH FRAME. Square. Marcus — 
& Co., makers. | 


CHIROPODIST SET with ivory handles; in a black 
morocco case. 


TRAVELLING CLOCK. Repeater; in a green mo- 
rocco case. 


PAIR OF OPERA GLASSES in a black leather case. 
Callaghan, London, maker. 


SILVER PHOTOGRAPH FRAME. Oblong. Marcus 
& Co., makers. 


SILVER BOTTLE OPENER. 


LARGE CUT-GLASS BOTTLE with cut glass and 
silver top fitted with silver padlock and key. 


CUT-GLASS DECANTER with gilt decoration in a 
vine and scroll pattern. 


SILVER PHOTOGRAPH FRAME. Tiffany & Co., 
makers. 
LARGE SILVER PHOTOGRAPH FRAME. Marcus 
& Co., makers. 
82 


206 CUT -GLASS FLOWER VASE resting in a sterling 
bok silver base pierced in a geometrical pattern. 


‘CUT: GLASS PERFUME BOTTLE. Etched decora- 
& tion ; ornamental silver i Marked going 
ee : > Silver, France.’ 


207° LARGE METAL PHOTOGRAPH FRAME. Oval; 
a decorated in a repoussé pattern of fruits and flow- 
ers. 


___-' TWIN PHOTOGRAPH HOLDER of Silver decorated 
in repoussé in a rococo pattern. 


TALL PERFUME BOTTLE with green glass ribs. 
(Top chipped.) 


TWELVE ROSE LEAF SPOONS. - 
- CUT GLASS BITTERS BOTTLE. 
COPPER COFFEE PERCOLATOR. 
| _ WASTE BASKET COVERED IN TAPESTRY AND 
ps __ VELVET. 
| 209 TWELVE CUT-GLASS WHISKEY GLASSES. 
. SIXTEEN COCKTAIL GLASSES (assorted). 
; SEVEN ETCHED WATER GLASSES. 
pa TEN LIQUEUR GLASSES (assorted). 
TWO VICHY GLASSES. (47 pieces.) 


| 210 TWELVE NUT PICKS. 
TWELVE AFTER DINNER COFFEE SPOONS. 
i SIX DECANTER MARKERS. Two of sterling silver. 


a. 


211 CUT-GLASS COLOGNE BOTTLE, etched; with silver 
mountings. 

METAL CIGARETTE BOX, chased in a pictorial de- 
sign representing Shakespeare at the Court of Eliza- 
beth, England. 

HOLOSTERIC BAROMETER, with thermometers 
according to Fahrenheit and Centigrade; brass 
mounting; in a morocco plush lined case. Gall & 
Lembke, makers. 


© 212 SILVER TROPHY CUP WITH THREE HANDLES. 
Height, 10 inches. 


| 2138 PAIR OF CUT-GLASS BOTTLES WITH SILVER 
1 TOPS. 
a 33 


7 r 
15, RR oc: Ys eee 


214 


215 


216 


217 


218 


219 


220 


221 


222 


223 


224 


226 


227 


FROG AND TOAD OF BRONZE. ° 
COILED RATTLESNAKE OF BRONZE. 


WROUGHT IRON PAPER WEIGHT, in the form of ‘ 
' a grotesque dog. (4 pieces.) : 


BRONZE INDIAN HUNTER. By C. Kavsa. Signed. | 
Height, 914 inches. 


BRONZE FIGURE OF AN AFRICAN DONKEY. By . 
Cain. Signed. Height, 534 inches. 


BRONZE HEAD OF BLIND HOMER. Life size; 
resting on a marble base. Height, 19 inches. 


ELECTROLIER: BRONZE FIGURE OF A KNEEL- 
ING FAUN holding two lghts fitted with red silk 
shades. On a circular base of green marble. 
Height, 21 inches. 


BRONZE FIGURE OF A FISHERMAN, SEATED. 
Height, 21 inches. 


BRONZE FIGURE OF A BUFFALO standing on a 
base of red stone. By C. Kaupa. Signed. Height, 
20 inches. 


BRONZE SEATED MERCURY, after the antique. 
Height, 20 inches. 


BRONZE WINGED VICTORY on a marble base. 
Height, 36 inches. 


THREE-LIGHT ELECTROLIER WITH SILK 
SHADE. Bronze Neptune on the back of an ala- 
baster turtle holding up a dolphin. 


CEILING CHANDELIER formed as a shower of flow- 
er lights; twelve Favrile glass shades resting in silk 
stems. 


THREE SINGLE LIGHT WALL BRACKETS OF 
BRONZE with Favrile glass shades; fitted for elec- 
tricity. 

TWO PAIRS OF GREEN SILK VELOUR WINDOW 


HANGINGS lined and padded; edged with tassel 
fringe; silk cord and tassel. 


ONE PAIR OF GREEN SILK VELOUR PORTIERES 
lined with red; the edges finished with green guipure. 


34 


228 LONG BLUE SILK VELVET BUREAU SCARF em- 
-__ broidered with gold. Lined. 

SQUARE OF SILK TAPESTRY FOR TABLE 
COVER. 


“TWO DOWN SOFA PILLOWS. One covered with 
_ tan silk, embroidered in a floral design, the other 
with silk brocade with corded edge. 


LARGE ROYAL COPENHAGEN VASE with decora- 
tion of fish and water lilies. Height, 15 inches. 


ELECTRIC READING LAMP. The bowl of green 

overlaid with a network of bronze, rests on three 
. large bronze crabs; the leaded green glass shade 
a decorated in a design of daffodils. Fitted with three 
‘e lights. Height, 24 inches. 


| 232 MANTLE CLOCK of wood, with pierced brass panels 

a and four brass pineapple finials; the brass dial 
marked for hours and minutes; hour strike. In run- 
ning order. Francis Perigal, maker. Height, 19 
inches; width, 1034 inches. 


| 233 LANTERN CLOCK OF BRASS, with brass dial and 
i gong; resting on four brass feet. Philip Carter, 
: maker. Height, 1414 inches. 


_ 234 TWO DOWN SOFA PILLOWS. One covered with 
= green silk velvet, the other with green cut velvet. 


235 THREE DOWN SOFA PILLOWS with tapestry and 
ie - silk brocade covers. 


» 236 SMALL DROP-LEAF TABLE OF OAK. 


237 ANTIQUE OAK HALL MIRROR. Carved frame 
with brass hooks. 


238 DEER HEAD, MOUNTED. 


939 TWO PAIRS OF BLUE WINDOW HANGINGS 
edged with tassel fringe; silk cord and tassels. 


THREE LAMBREQUINS to match the foregoing. 


{| 240 PHILIPPINE BOLO. Engraved blade and twisted 
cord handle. Wooden scabbard. 


941 JAPANESE SHORT SWORD. Engraved blade. 
Brass and enamel mounts. Leather sheath. 


35 


242 


243 


244 


245 
246 


247 


248 


249 


299 
256 


PERSIAN DAGGER. Blade engraved on either side 


sheath. 


HUNTING SWORD. Blade anennae with Latin in- f[ 
scription and wild animals. Brass mounts. Leather — 


sheath. 


TWO PAIRS BROWN VELVET WINDOW HANG- | 


INGS. 
TWO VELVET PORTIERES to match the foregoing. 


+ 
with figure of ‘‘Pandur.’’ Brass mounts. beaten i 


s 


4 


BRASS FOLDING FIRE SCREEN. Fan-shaped with 


pierced leaves. 


VICTOR TALKING MACHINE with two horns; 
ninety records in two black leather cases. s, 


PAIR OF BRASS ANDIRONS. Ball and baluster | 


pattern. 


CIRCULAR AUTOMOBILE LUNCH BOX containing 
a complete service for six persons; plates, knives and 
forks, four thermos bottles, enameled boxes, etc.; 
the box cover fitted as a table. Never used. Di- 
ameter, 25 inches. 


RUGS 


ANTIQUE HAMIDAN MAT. Soft cream color 
sround; rose medallion. Size, 2.10 x 3.9 feet. 


BALOOCHISTAN RUG. Dark red ground; conven- 
tional design. Size, 3.4 x 6.6 feet. 


SEREBEND RUG. Rose ground; cream border; small 
palms. Size, 3.9 x 5.2 feet. 


HATCHLI BOKHARA. Sometimes called Christian 


Bokhara from the cross design. Excellent color and ~ 


quality. Size, 3.11 x 5 feet. 


HATCHLI BOKHARA. Sometimes ealled Christian 
Bokhara from the cross design. Excellent color and 
quality. Size, 4.3 x 5.5 feet. 


LARGE PERSIAN HALL RUG. Size, 7.6 x 15.9 feet. 


FINE QUALITY KERMANSHAH CARPET. Red 
ground all over design in large and small palm 
leaves. Cartouches with vista of gardens and dwell- 
ings. Very unusual design. - Size, 8.9 x 12.10 feet. 


36 


257 


_— 
“y 


Sag le i. roe 


SSiout 40 yards. 
Blue, about 20 yards. 


| am: Red, about 10 yards. 
MODERN CHINESE WOOL RUG. Light blue ground 


with floral pattern in green, dark blue, rose and 
white. Size, 8.6 x 3.4. 
* Property of Mr. A. W. Bash. 


MODERN CHINESE RUNNER. Hall runner or stair 


earpet of mahogany color with border of golden 
brown. Size, 3.2 x 13. 
* Property of Mr. A. W. Bash. 


MODERN CHINESE RUG. Dull red ground with 
peony blossoms and butterflies; border of gold and 
blue. Size, 9 x 4. 

* Property of Mr. A. W. Bash. 


MODERN CHINESE WOOL RUG. With silky pile, 
the field of deep gold, with figures in blue, red and 
ivory; Foo Yung design with-symbols of the eight 
precious things in the border. Size, 3.1 x 6. 

* Property of Mr. A. W. Bash. 


MODERN CHINESE WOOL CURIO RUG. Thick 
' pile, closely woven ground of golden brown, covered 
with patterns of pottery vases, incense burners and 
sacred emblems and having two small dragons in the 
eenter fighting for the sun. Size, 9.4 x 11.9. 
* Property of Mr. A. W. Bash. 


MODERN CHINESH WOOL RUG. Large dining room 
rug of pavement design in three shades of blue with 
border of swastika pattern in dark blue. Size, 
D2 x 13.3. 

* Property of Mr. A. W. Bash. 


MODERN CHINESE WOOL RUG. Thick pile, rose 
ground closely woven, with hght green scrolls 
throughout; center symbol of happiness in dark 
blue. Outside border of dark blue, inner of swastika 
pattern in light green. Size, 9.2 x 12. 

* Property of Mr. A. W. Bash. 

MODERN CHINESE WOOL RUG. Plain Turquoise 

blue center with sun sprays in soft shades of light 


brown and blue border. Thick pile. Size, 10.3 x 12, 
* Property of Mr. A. W. Bash. 


37 


268 


269 


270 


271 


272 


2724 MODERN CHINESE WOOL RUG. Thick, silky 


MODERN CHINESE WOOL RUG. Thick airy, of ¢ dark om | 
blue ground with two large five-clawed _ drago 5 
fighting in the clouds above the sea. Shaded wi 
light green, having border of swastika pate ae 
Size, 10 x 12.2. ~~} 

* Property of Mr. A. W. Bash. 


MODERN CHINESE SILK RUG. Golden brown field 
strewn with butterflies and flowers in blue, light | 
green and other colors. In the center the Chinese 
zodiac with a blue dragon encircling the sun and in ~ 
the corners the sacred white elephant. Triple border 
showing swastika pattern, peony scroll and ivory | 
buttons. Size, 9.1 x 12. | 

* Property of Mr. A. W. Bash, ae 


MODERN CHINESE WOOL RUG. The ground of 
rich copper red, with closely woven pile of splendid 
quality, strewn ‘with passion flowers, clematis, butter- 
flies and vases, after Ming patterns in blues and 
ivory. Size, 5.2 x 8.5, 

* Property of Mr. A. W. Bash. 


MODERN CHINESE WOOL RUG. Ground of golden 
brown with five medallions, each with a different 
motif; the center peony scroll and flowers; the bor- 
ders of ancient pottery with flowers, fruits and but- 
terflies and the palm of Buddha; Phoenix heads 
guard the corners. Size, 5.9 x 9.7. 


* Property of Mr. A. W. Bash. 


MODERN CHINESE WOOL RUG. The blue field 
strewn with flowers, butterflies, pomegranates, sprays 
of peaches, and the Buddha hand, with medallion of 
flowers encircling musical stone suspended by a bat. 
Borders of peony scrolls, palmettes and ivory but- 
tons. Size, 6.3 x 12.3. 

* Property of Mr. A. W. Bash. 


pile; golden brown ground with five medallions, each 
of different pattern; Phoenix heads guard the cor- ~ 
ners; blue border with scroll pattern, ancient pot-° — 
tery, flowers, fruits, butterflies and hand of Buddha. 
Size,.59) xi Dare 
* Property of Mr. A. W. Bash. 
38 


: oa hee of iden brown brocaded with flowers, peacock 
feathers; medallion of peony flowers supporting the 

palm of ‘Buddha; corners guarded by Phenix heads 
and passion flowers ; there are four borders, one of 
peony scrolls, one of swastika pattern with forty- 
four disks (emblems of riches), others of plain blue. 
Size, 6.4 x 12.6. 


* Property of Mr. A. W. Bash. 


i 274 MODERN CHINESE SILK RUG. The field is of 
golden brown with Chinese lattice work in th. cor- 
as ners, character of longevity in center, with leaf 
scrolls in green and lilies, magnolias and peonies ; in 
1 one corner is a representation of the sun. The bor- 
’ der shows musical instruments set in fretwork, liz- 
Pee) ards and characters of the eight precious things. 
| Size, 6.2 x 10. 
* Property of Mr. A. W. Bash. 


275 MODERN CHINESE WOOL RUG. The dark blue 
ground with sprays of flowers, butterflies, fruits in 
blue, sea green and ivory, with medallion in center 
showing a musical stone suspended by a bat. Border 
of white peony scroll and ivory buttons. Size, 
6.2 x: 12.3. 


* Property of Mr. A. W. Bash. 


276 MODERN CHINESE SILK RUG. Dark brown of 
Ming pattern. In the center is a tree supporting 
two white doves; Phcenix heads guard the corners, 
with floral firures and butterflies between. The outer 
border shows a swastika pattern, the inner peony 
scrolls with symbols of the eight precious things. 
Size, 6 x 11. 


* Property of Mr. A. W. Bash. 


277 MODERN CHINESE WOOL RUG. The salmon pink 
ground strewn with butterflies, flowers and pome- 
eranates; the corners are ouarded by Pheenix heads; 
the center medalion shows a musical stone surrounded 
by a peony scroll with the palm of Buddha. Bor- 
ders of peony and swastika patterns and plain deep 
blue. Size, 6.8 x 12. 


* Property of Mr. A. W. Bash. 
39 


278 


279 


280 
281 


282 


283 


284 


285 


286 


287 


MODERN CHINESE SILK RUG. Copy of a melee 
picture called the Sea Market and Pearl Buildings 
of the Sea God, by a painter of the Ming Dynasty. — 
It shows the pilo or memorial arch to the Sea God — 
and the monument to the Sacred Lion; the temples — 
in the clouds, marble stairs, bridge and pagoda are — 
supposed to be of pearl. It has a triple border, two 
of swastika pattern, one of peony scroll with a deep 
blue ground for the sea with clouds in dull ivory. 
It is called ‘‘Hai Sze Cheu how,’’ and is by the 4 
famous artist Wong Shih Ku of the Ming Dynasty. | 
Tradition says that, at an appointed time of each} 
year, the sea King exhibits all precious things at this 
market. People sometimes may view these magic 
buildings at sea. Size, 6.3 x 11.9. 

* Property of Mr. A. W. Bash. a | 


MAHOGANY FURNITURE 


MAHOGANY SIDE CHAIR. With lyre back; curved 
paw feet; slip seat upholstered in green velvet. 


MAHOGANY SIDE CHAIR WITH RUSH SEAT. 


MAHOGANY ROUNDABOUT CHAIR with duck feet; 
slip seat covered with blue brocade. 


MAHOGANY FOLDING TOP TABLE. Hexagonal 
pedestal rising from a wide base; plate glass top. 


MAHOGANY ARMCHAIR with carved arms; cane 
seat. 


WICKER BASKET CHAIR upholstered in tufted 
brown velour. 


EASY ARMCHAIR OF MAHOGANY with cane back, 
seat, and sides; fitted with removable back and seat 
cushions of brown tapestry. 


TRIANGULAR LIGHT STAND OF MAHOGANY 
with three spiral legs, three drop leaves, and shelf 
bottom. Diameter of top, 21 inches. 


CARVED MAHOGANY SIDE CHAIR. Jar splat; 
tapering legs; the slip seat upholstered in green bro- 
eade. (Brocade slightly worn.) 


40 


292 


293 


294 


295 


296 


297 


298 


3 SMALL MAHOGANY WORK TABLE with deep bed; 


four drawers with brass knobs; plate glass cover. 


SMALL MAHOGANY STAND with deep bed contain- 


ing one drawer with bronze pull. 


MAHOGANY ARMCHAIR with scroll arms supported 


by carved griffins; paw front feet; the seat up- 
holstered in green velvet. 


CARVED MAHOGANY SIDE CHAIR of Chippendale 


design; scroll and ribbon back; cabriole legs with 
claw and ball feet; the slip seat upholstered in green 
cut velvet. 


MAHOGANY HALL SEAT WITH DRAWER with 


high square back and slip seat upholstered in blue 
brocade; the front columns ornamented with pine- 
apple tops; paw feet; the large single drawer fitted 
with brass knobs. (Brocade slightly worn.) 


LARGE OVER-STUFFED EASY CHAIR. Uphol- 


stered in green silk velour, tufted, and ornamented 
with large bronze-headed tacks; resting on ball feet. 


LARGE OVER-STUFFED LIBRARY SOFA. Uphol- 


stered in green silk velour, tufted, and ornamented 
with large bronze-headed tacks; resting on six ball 
feet. 


OLD ENGLISH SECRETARY. Satinwood veneer 


with inlaid panels; the upper part having eleven 
drawers and a center cupboard with pigeon holes; 
drop leaf. The serpentine base, resting on ball feet, 
contains three large drawers. Brass drop handles 
and key masks. 


MAHOGANY HIGH CHEST OF DRAWERS. Broken 


arch cornice with three carved torch and urn finials; 
seroll and shell carving at top and bottom; carved 
cabriole legs with claw and ball feet; five large and 
six small drawers with brass drop pulls and key 
masks. 


WIDE COUCH WITH CARVED FEET. Upholstered 


in brown velour; tufted cushion seat; three large 
wall cushions. 


MAHOGANY COMBINATION BUREAU-WARD- 


ROBE. Bevel plate mirror; two large and two small 
drawers and cupboard compartment. 
41 


= ro as a » ihe? 
" ’ ‘ P we .- mo) re 


299 LARGE. MAHOGANY CABINET—BACHE ra 8 
DELIGHT. The front ornamented with two ¢ 


umns resting on paw feet; three small top cota q 
fitted with compartments. The two large doors open- — 


ing show three large sliding trays, three smaller 


trays, five drawers, and hat compartment; brass drop 


pulls. 


300 MAHOGANY BOOKCASE. Fluted front columns 
resting on ball feet; double glass doors; four shelves. 
Height, 50 inches; width, 48 inches. 


301 MAHOGANY ROUND TOP TABLE. With fluted 


pedestal resting on a square scroll base; beaded bed; 
veneered top in radiation. Plate glass cover. Di- 
ameter, 52 inches. 


302 LIBRARY TABLE OF MAHOGANY. With four doric 


columns at each end rising from a base supported by 
paw feet; two drawers with brass drop pulls; plate 
glass cover. Length, 56 inches; width, 36 inches. 


303. TALL MAHOGANY CORNER BOOKCASE. With 
six glass doors; four shelves in the upper part, three 
in the bottom. 


304 TALL MAHOGANY DOUBLE BOOKCASE. Double 
glass doors; four shelvés each. 


305 DOUBLE MAHOGANY BOOKCASE. Four glass 
doors each; four shelves each. 


306 MAHOGANY BOOKCASE AND CLOTHES PRESS 


COMBINED. The upper part has two glass doors 


and four shelves; the lower section fitted with two 
solid doors and six sliding shelves. 


306-a OLD MAHOGANY CABINET. Shelves enclosed by 
double glass doors with grooved mahogany tracery. 
Cornice top. Height, 48 inches; width, 46 inches. 


206-b SHERATON MAHOGANY SIDEBOARD. Round 
corners, taper legs, with three drawers and three cup- 
boards; holly inlays, brass drop handles and key 
masks, Length, 6 feet; width, 26 inches, 


oeemanameaanitts 


= ia a ee 


oa ae era) 


THIRD SESSION 


~ 


May 16, at 8:30 o’clock 


i Be 
Sd 
em, 2 


Ol and ABodern Paintings 


307 
A. HASSELL 
; Contemporary English Painter. 
° {Gea SALMON TROUT 
oe Canvas Height, 17 inches ; width, 22 inches. 
* Property of Mrs. R. C. McCormick of New York. 


308 


UNKNOWN PAINTER 
English School. 


STABLE INTERIOR WITH HORSES 
Beats eon Canvas. 
Height, 20 inches; width, 24 inches, 


* Property of Mrs. A. Newman of New York. 


309 


JOHN RUSSELL (Attributed) 
English, 1744-1806. 


DECORATIVE PORTRAIT OF A YOUNG WOMAN 


, Pastel. Height, 24 inches ; width, 20 inches. 
43 


iS oe we 
y 


Contemporary Ja apanese ee 
‘RETURNING WORSHIPPERS 
Water-Color. Signed. 
Height, 22 inches; width, 16 inches. 


sel 
W. P. W. DANA 


Contemporary American Painter. 


GATHERING SEA WEED 
Canvas. Signed. 

Height, 15 inches; width, 30 inches, 

* Property of Mrs. R. C. McCormick of New Forks : 


~~ 


312, 
JOHN F. KENSETT 


Contemporary American Artist. 
LAKE COMO, ITALY 
Height, 2214 inches; width, 37 inches. 
* Property of Mrs. E. B. Goldman of New York. 


313 zs Rac: 

ARTHUR WARDLE ae 

Contemporary English Painter. 
ANIMAL SUBJECT 


Pastel. Height, 914 inches; width, 1314 inches. 
44 


" pia oo . ade Beas: 2 he 


“contemporary Japanese Painter, 
be AUTUMN J AT HOKOGAWA 
_ Water-Color. Signed. 
| Height, 23 inches; width, 15 inches. 


ae 815 
W. R. DERRICK 
Contemporary American Painter. 
THE FARMER AT WORK 
Water-Color. Signed. 
Height, 16 inches; width, 24 inches, 
_* Property of Mr. Albert Roullier of Chicago. 


ea By ie 
_——s ROBERT J. WICKENDEN 


Contemporary American Painter. 
LANDSCAPE NEAR PITTSFIELD, MASS. 
itis. | : Panel. Signed. 
| __- Height, 15 inches; width, 22 inches. 


317 
C. VAN LEEMPUTTEN 


Belgian Painter. 


ee. SHEEP 
; ; Panel. Signed. 
Height, 614 inches; width, 9 inches. 
* Property of Miss M. P. Culyer of Mt. Kisco, N. Y. 
45 


“sa ils aide Dab = 
VA 


bi hee pres é 
z HENRY Leal 
ey ee eae Contemporary American Painter. ot 

SUNSET ON THE LAKE 
Water Grler Signed and dated 1 1899 


Height, 1214 inches; width, 18 inal 
* Property of Mr. Albert Roullier of Chica, 


319 | 
GEORGE V. CURTIS 
Contemporary American Painter. ehh 
EARLY AUTUMN, FOREST OF FONTAINEBLEAU Na . 
Canvas. Signed. 


Height, 1814 inches; width, 2154 i inches. 
* Property of Mr. G. V. Canta 


~~ 


3200 
UNKNOWN PAINTER 


STILL LIFE 
Canvas. Height, 19 inches; width, 14 inches. 


321 


ACHILLE FRANCOIS OUDINOT 
French, 1820-1890. 


GOING TO MARKET 
Water-Color. Signed, = 
Height, 714 inches; width, 1214 inches. 


* Property of Mr. G. V. Curtis. 
46 


Ft) “ae 
ba z BEAUVERIE 


E nae, width, 1344 a8 
ty of Miss Mi P. Culyer of Mt. Kisco, N. Y. 


are 323 
GEORGE V. CURTIS — 


_ Contemporary American Painter. 
LES MAZETTES, BARBIZON 
Canyas. Signed. 

Height, 1814 inches; width, 2134 inches. 
* Property of Mr. G. V. Curtis. 


pam 324 
AMIE CORBOULD 


French Painter. 


aa THE BLACKSMITH’S SHOP 
BS. Canvas. Signed and dated, 1846. 
cn Height, 1514 inches; width, 1814 inches. 
3 -* Property of Mr. G. V. Curtis. 
‘5 
4 
4 325 
. MAX WEYL 
4d Contemporary American Painter. Ae 
7 
. GREAT FALLS OF THE POTOMAC 
ait | Canvas. Signed. 

Height, 26 inches; width, 3114 inches. 

47 


THE SULLY BEACH, FOREST OF Hee 


Canvas. Signed. 


* Property of Mr. G. V. Curtis. 


327 
CHARLES P. GRUPPE 


Contemporary American Painter. 


GOING TO PASTURE 
Water-Color. Signed. 
Height, 18 inches; width, 24 inches. 
* Property of the artist. 


328 
FUKAWA BASKE. 


Contemporary Japanese Painter. 
CHERRY SEASON AT MAKAJEMA 
Water-Color. Signed. 

Height, 14 inches; width, 22 inches. 


329 
H. M. ROSENBERG 


Contemporary American Painter. E 

NEAR HALIFAX | ae | 

Water-Color. Signed. | f 
Height, 16 inches; width, 22 inches. 


* Property of Mr. Albert Roullier of Chicago. j | 
48 | 


sate a a! 


fo) ge s30 * 
# ‘ee (0. PICHAT 
ae Goetcupantt French Painter. 
_ FRENCH CAVALRY OFFICER 
nae Panel. Signed. 
a Height, 121% inches width, 1014 inches. 


331 
LOUIS BRAQUAVAL 


Contemporary French Painter. 
RUE ST. WOLFRAM, ABBEVILLE oa : 
Panel. Signed. 
Height, 1494 inches ; width, 1814 inches. 
* Property of Mr. G. V. Curtis. 


332 
HENRY FARRER 


Contemporary American Painter. 
THE EVENING HOUR 
Water-Color. Signed and dated 1901. 
Height, 18 inches; width, 25 inches. 
* 2 ae of Mr, Albert Roullier of Chicago. 


et eee Foe Tee ee 
oo oul 7 
zZ 1 or 
F = y 


333 
PAUL VERON 


Contemporary French Painter. 


o CLEARING AFTER A STORM “i 
Panel. Signed and dated, ’61. 
Height, 9 inches; width, 12 inches. 


* Property of Miss M. P. Culyer of Mt. Kisco, Nie Ys 
49 


THEODORE VON DER BEEK 


Contemporary Dutch Painter. 

A GIRL AT PRAYER 
Canvas. Signed. 

Height, 3614 inches; width, 2514 inches. , 
* Sold by order of James, Schell & Hlkus, 170 Broadway, 4 


Attorneys for the Trustee in Bankruptcy of Lathrop, Haskins ~ 
& Co. i 


335 


UNKNOWN PAINTER 
French School. 


MOTHERHOOD 


Canvas. Height, 11 inches; width, 814 inches. 
* Property of the artist, Charles P. Gruppe. 


336 
CARLETON WIGGINS 
Contemporary American Painter. 
CATTLE AT PASTURE 
Canvas. Signed and dated, France, 1881. 


Height, 12 inches; width, 18 inches. 
* Property of Miss M. P. Culyer of Mt. Kiseo, N. Y. 


337 
GEORGE V. CURTIS 
Contemporary American Painter. 
MORNING ON THE FARM AT BARBIZON 
Canvas. Signed. 
Height, 1814 inches; width, 2134 inches. 


* Property of Mr. G. V. Curtis. 
50 


w. -R. DERRICK 


Br "Contemporary American Painter. 


THE SHEPHERDESS — 

“W. ater-Color. Signed. 

_ Height, 16 inches; width, 24 inches. 
_ * Property of Mr. Albert Roullier of Chicago. 


339 — : 
e: "FRANCESCO CAVALIERE TREVISANI 
Tye ane Italian, 1656-1746. 


THE ADORATION OF THE SHEPHERDS 
% ORs Height, 28 inches; width, 29 inches. 


ee 340 

oy 12% 

LOUIS BRAQUAVAL 

=! - Contemporary French Painter. 

i, ON THE QUAI D’ORSAY, PARIS 
Eo Panel. Signed. 

é Height, 1314 inches; width, 15 inches. 
-* Property of Mr. G. V. Curtis. 


341 
GEORGE V. CURTIS 


Contemporary American Painter. 


MY GARDEN AT BARBIZON—MORNING 
Canvas. Signed. 
Height, 2314 inches; width, 2814 inches, 
-* Property of Mr. G. V. Curtis. 
51 


Donteitporne Dutch : 


A ROTTERDAM CANA Ne 
Canvas. Signed and dated 190. 


Height, 21 inches : width, 15 inch. 
* Property of the artist, Charles 12. Gruppe, se 


343 


UNKNOWN PAINTER 
French School. 


: rm Lae REIN 
DECORATIVE PORTRAIT OF A LADY = 
Canvas. Height, 3514 inches; width, 2714 inches. ee 


were 
GEORGE V. CURTIS 


Contemporary American Painter. 


MY GARDEN AT BARBIZON—AFTERNOON 
Canvas. Signed. - 


Height, 2314 inches; width, 2814 fran tale 
* Property of Mr. G. V. Curtis. C 4 


345 — 
U 
FUKAWA BASKE. 


Contemporary Japanese Painter. . 
EARLY EVENING | ee || 
Water-Color. Signed. | 


Height, BG inches; width, 22 inches. 
a 


* e 
——$——$$<—— 


y ae’ Dutch Painter. 

oe _ SUNSHINE AND SHADOW 
ny 49h: 

Oa. Sized, 


LOUIS BRAQUAVAL 


r rs Contemporary French Painter. 


_ON THE QUAI DE L’HOTEL DE VILLE, PARIS 
ae (RIGHT BANK) 


Panel. ‘Signed. 


Height, 1434, inches ; width, 18% inches. 
* Property of Mr. G. V. Curtis. 


348 


WILM STEELINK 
Contemporary Dutch Painter. 


THE PASTURE LOT 
Canvas. ‘Signed. 


Height, 12 inches; width, 19 inches. 
* Property of the artist, Mr. Charles P. Gruppe. 


349 


G. HENKEL 
Contemporary Dutch Painter. 
MAN SMOKING 
Canvas. Height, 20 inches; width, 1414 inches. 
; 58 


dees ‘Signed : 
Height, 1814 inches ; width, 2134 i ine ee 
* Property of Mr. G. V. Curtis. 


351 
KENNETH R. CRANFORD | 
Contemporary American Painter. 
COMPANIONS 
Canvas. Signed and dated, 1885. 
Height, 31 inches; width, 42 inches. 
* Property of Miss M. P. Culyer of Mt. Kisco, N. Y. 


352 


BERTRAM PRIESTMAN 
Contemporary English Painter. 


CATTLE RETURNING HOME — 
Canvas. Signed. 
Height, 20 inches; width, 26 inches. 


353 
LOUIS BRAQUAVAL 


Contemporary French Painter. 
IN THE TUILERIES GARDEN—MORNING 
Panel. Signed. 
Height, 1434 inches; width, 1814 inches. 
* Property of Mr. G. V. Curtis. 
54 


SSS 


af ee. 


a ie GEORGE V. CURTIS 


ee Contemporary American Painter. 


Zz tHE MILL AT PERTH, BARBIZON 
: ae Canvas. Signed. 

eight 18, inches width, 2134 inches, 
aoe __ * Property of Mr. G. V. Curtis. 


355 
MAX WEYL 


- Contemporary American Painter. 
AUTUMN LANDSCAPE 
Panel. Signed. 

Height, 914 inches; width, 17 inches. 


356 


_._-—* PHILIP ROOS, Called Rosa Da Tivoli 
Be German, 1657-1705. 

LANDSCAPE WITH SHEEP AND CATTLE 
ae ae “Canvas. Relined. 

Mg Height, 20 inches; width, 25 inches, 

* Property of Dr. Conrad Gold of Baltimore. 


357 


NICOLAS DE LARGILLIERE 
French, 1656-1746. 


PORTRAIT OF A LADY 


Pastel. Height, 25 inches; width, 21 inches. 
55 


358° pe. ; 
GEORGE _ CURTIS. 


Contemporary Mitori@amn Painter. 


Canvas. Signed. 


- as 
Height, 1914 inches; width, 2314 inches. 
* Property of Mr. G. v. Curtis. 


359 
ANTON RAPHAEL MENGS 
‘ Bohemian, 1728-1779. 
PORTRAIT OF THE ARTIST’S PATHER 
ne Pastel. é 


Height, 22 inches; width, 15 inches, 
* Property of Dr. Conrad Gold of Baltimore. 


360 
GEORGE V. CURTIS 


Contemporary American Painter. sah 
BEECH TREES IN THE FOREST OF FONTAINE- | . | 
BLEAU | 
Canvas. Signed. Re: 1 
Height, 1814 inches; width, 2134 inches. - | 
* Property of Mr. G. V. Curtis. 


361 
LOUIS BRAQUAVAL 


Contemporary French Painter. i 
ON THE QUAI DE L’HOTEL DE VILLE, PARIS = J 
(LEFT BANK) 2 | 
Panel. Signed. ‘ 
\ Height, 1434 inches; width, 1814 inches. 4 
* Property of Mr. G. V. Curtis. 
56 


a oa ee VO i ee as 


. a 2 GUSTAVE COURBET 
ae French, 1819-1878. 
‘THE RETREAT OF THE FAUNS| 


ee — Panel. Signed. 
Bocavs 13144 inches; width, 191% inches. 


a * From the Collection of M. Croizet, where it had been for 
twenty-five years. Bought from his widow by Mr. Curtis, its 
_-~present: owner. ey, ; 


S 


363 : 


SCHOOL OF MIGNARD 
French, 1610-1695. 


PORTRAIT OF A LADY 
Canvas. Height, 30 inches; width, 25 inches. 


364 
ae GEORGE V. CURTIS 


Contemporary American Painter. 
HEAD OF A GIRL 
Canvas. Signed. 
Height, 1814 inches; width, 1514 inches. 
_ * Property of Mr. G. V. Curtis. 


365 
CHARLES FRANCOIS DAUBIGNY 


ee eae 


~~ 


4 French, 1817-1878. 

. THE BANKS OF THE OISE 

4 . Canvas. Signed. 

j é Height, 14 inches; width, 20 inches. 


f * Property of Mr. G. V. Curtis. 
; 57 


LOUIS BRAQUAVAL | 
Contemporary French Painter. - 


- MARKET SCENE AT ABBEVILL: 
Panel. Signed. , 


Height, 1434 inches; width, 1814 ees 
* Property of Mr. G. V. ent 


367 | 
W. CLARKSON STANFIELD 
English, 1793-1867. 


OFF THE ENGLISH COAST . 
Canvas. 


Height, 16 inches; width, 24 inches, 
* Property of Dr. Conrad Gold of Baltimore. — 


368 ae 

MICHEL J. VAN MIEREVELT (After) a || 
| PORTRAIT OF A LADY | 7 | 
Height, 45 inches; width, 2814 inches, | 


369 
GEORGE V. CURTIS a 


Contemporary American Painter. 


SUNSET ON THE FARM AT BARBIZON 
Canvas. Signed. 
Height, 2114 inches; width, 2514 inches. 
* Property of Mr. G. V. Curtis. 
58 


Te 


[aa 


Fat tet nd 


e870. fe ei 
_ JOSEF DE RIBERA | 
Spanish, 1588-1656. 


HEAD OF A PHILOSOPHER 


_ _ Canvas. Relined. 
Height, 25 inches; width, 20 inches. 


371 
F, NIKUTOWSKI _ 
a Contemporary Hungarian Painter. 
‘VIEW OF A HUNGARIAN VILLAGE 
2 Canvas. Signed. 


" Height, 2314 inches; width, 31 inches. 


F he ad * Sold by order of James, Schell & Elkus, 170 Broadway, 
Attorneys for Trustee in Bankruptcy of Lathrop, Haskins & 
Co. 


; . 372 
fo 2 ~~ «6 6CHARLES P. GRUPPE 
a 3 Contemporary American Painter. 


OCTOBER DAY IN CONNECTICUT 
Canvas. Signed. 
Height, 30 inches; width, 45 inches. 


* Property of the artist, Charles P. Gruppe. on 
373 
. JAN VAN GOYEN 
hs Dutch, 1596-1656. 
2. 
; WINTER SPORTS IN HOLLAND 


Panel. 


Height, 14 inches; width, 23 inches, 
* Property of Dr. Conrad Gold of Baltimore. 
59 


a 


AT THE CLEF D’OR, BAI B. 
Canvas. ‘Signed. 


Height, 231% inches; width, 2814, Ve) inche 
* Property of Mr. G. V. Curtis. 2 4y Ea 


3¢D 
W. DEGADE 
Contemporary German Painter. 
LANDSCAPE WITH RUINS 
Canvas. Signed, 


Height, 26 inches; width, 36 inches. 


* Sold by order of James, Schell & Elkus, 170 Broadway, 
Attorneys for the Trustee in Bankruptcy of Lathrop, Sa ‘) 
& Co. a 


376 


SIMON DE VOS 
1603-1676. 


PORTRAIT OF A MAN 
Panel. 
Height, 22 inches; width, 18 inches. 
*Property of Dr, Conrad Gold of Baltimore. 


377 
GEORGE V. CURTIS 


Contemporary American Painter. 


FERNS IN THE FOREST OF FONTAINEBLEAU, 
AUTUMN 
Canvas. Signed. 
Height, 1814 inches; width, 2134 inches. 
* Property of Mr. G. V. Curtis. 
60" 


rea re Lee 


Be 
. ‘LouIs ; NICHOLAS CABAT 
: French, 1812-1893. 


conn _D’APREMONTT IN THE FOREST OF 
- FONTAINEBLEAU 


Cavin Relined. 
| Height, 50 ince: width, 80 inches. 


Na -* This eminent French landscape painter was made an 
officer of the Legion of Honor in 1855, Member of the Insti- 
tute in 1867 and-Director of the Preach Academy at Rome 
in 1879. Though highly esteemed in France he is age kt 
represented in American Collections. 


Property of Mr. G. V. Curtis. 
i 
f 


379) 


GEORGE V. CURTIS 


Contemporary American Painter. 
ar: IRIS AND PEONY 
‘aa ~ Canvas. Signed. 


——sHHeight, 2114 inches; with, 2814 inches. 
c * Property of Mr. G. V. Curtis. 


a 


a a 


380 
FRITZ VON WILLE 


Contemporary German Painter. 


r~ Sige De oe 


AUTUMN LANDSCAPE 
Canvas. Signed. 


Height, 24 inches; width, 36 inches. 


* Sold by order of James, Schell & Elkus, 170 Broadway, 
Attorneys for the Trustee in Bankruptcy of Lathrop, Haskins 
& Co. 

61 


GEORGE V. CURT es 2 

Contemporary American Painter. 
MY HOUSE Ae BARBIZON F 
Canvas. Signed. 


Height, 1 inthes? with, 2814 inches. 
* Property of Mr. G. V. Curtis. 


382 
R. SWAIN GIFFC 2D, N. A. 
American 184(-1905. 


LATE AFTERNOON, ISLAND OF NAUSHORN, MASS. 0 


Canvas. Signed. 
Height, 16 inches; width, 28 inches. 


383 
GEORGE H. BOGERT 


Contemporary American Painter. 

THE SEINE AT ROCHE-GUYON, FRANCE . | 
Canvas. Signed. a | 

Height, 28 inches; width, 36 inches. 


384 
SCHOOL OF TENIERS 
TWO DECORATIVE LANDSCAPES WITH FIGURES — 


Canvas. ; » i 


Height, 96 inches; width, 72 inches. 


* Formerly the property of Joseph Bonaparte and purchased + 
from his Bordentown home. » | 
Property of Dr. Conrad Gold of Baltimore. 


62 


a eS aD 


ane “Sign with initials. 
Height, 7 inches; ; width, 9 inches. 


os Bc 
_ CARLO DOLCI (Attributed) 


PENITEND MAGDALEN 
Canvas. Relined. ae 
v7 *- Height, 39 inches ; width, 29 inches. 


Bid ea First Word of Title 


as oe 


ea ee 


your bids on this sheet for one sale only, with full name and address. 


soks are sold us catalogued and are assumed to be in good second-hand condition. 

ial defects are found, not mentioned in the catalog 

f such defects must be given promptly and the goo 

® date of sale, No exception will be made to this rule. 
graph Letters, Documents, Manuscripts, Bindings, Magazines and other periodicals 
_\I miscellaneous books arranged in parcels are sold as they are without recourse, 


rs s Clash. References or cash deposit required with orders from strangers. 


ue, the lot may be returned. 
ds returned within ten days 


Lot | First Word of 


AGAAGAERLERERSRULATES BISERREES 


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New Galler 


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RPOUGLAS TAYLOR & CO., NEW YORK 


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